His growth as a rapper allowed him to explore the underlying issues beneath his homicidal and suicidal thoughts, often taking aim at a society that had already left him for dead (after a character kills his wife and kids, he’s hung up on by the suicide hotline). But he reached a creative peak with KKKill the Fetus, combining the sounds of those albums while wondering “ what drives people … to the depths of evil”.
#The geto boys assasins lyrics full
In 1989, a 16-year-old Esham helped establish horrorcore with Boomin’ Words from Hell, a self-produced album full of electro-rap dispatches from Detroit’s hellish streets, and in 1992, he released one of hip-hop’s first double albums, the rap-rock Judgement Day. If this list was strictly chronological, Esham would be near the top. Here are 15 of the best, most important horrorcore albums, sorted chronologically to show how the genre has developed over more than a quarter century. You get horrorcore, an often maligned sub-genre that has existed for nearly as long as hip-hop itself and that specializes in the macabre, the sinister, the disgusting and the shocking.
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#The geto boys assasins lyrics serial
But what happens when the hyperbole is pushed to extremes? What happens when lyrics about gangland murder becomes slasher flick serial killing, when chasing women becomes acts of violence, when getting high and drunk at a party becomes addiction, paranoia and psychosis? But even as rappers sought to prove their realness, it has always been understood – by the artists that make it and the fans that love it, at least – that hip-hop is a reflection and a comment on society’s ills, not the cause of them.įor many proponents of hardcore hip-hop and gangsta rap, these street-life narratives were a mix of reporting, fiction-writing, and therapy that charged American institutions like the government, police and schools with the responsibility for urban decay. By all means, avoid this album if you're a newcomer and start with the later Geto Boys albums, particularly the self-titled one (1990) and We Can't Be Stopped (1991), as Making Trouble is merely a novelty that even the most die-hard fans may find of little value.As hip-hop developed in the 80s and 90s, the genre became synonymous with violence, drugs, and sex. Of the original Ghetto Boys, DJ Ready Red stands out most as the group's Jam Master Jay, cutting up the wax with quite astonishing ability while Prince Johnny C and the Slim Jukebox trade off "we will rock you"-style rhymes. The most interesting moment here comes in "My Balls and My Word," where samples from Brian De Palma's film Scarface are worked into the beats, unknowingly foreshadowing the group's future under the leadership of Mr. here - two MCs/one DJ, heavy metal guitar riffs, fat gold chains, top hats, and everything. Furthermore, the group hadn't yet found a novel identity for themselves, as they essentially emulate Run-D.M.C.
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Scarface and Willie D hadn't yet joined the group, and Bushwick Bill was just the hypeman/dancer. At this point, back in 1988, around the time when James Smith (then known as Lil' J) first launched his Rap-a-Lot label, the group had an entirely different lineup comprised of DJ Ready Red, Prince Johnny C, and the Slim Jukebox. As the seldom-heard, mostly unknown original Geto Boys album - back when they were still the "Ghetto" Boys - Making Trouble should interest strictly enthusiasts of the Houston group, if that, and probably only to a slight extent.